Double review

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No-one reacts to the street, because Simon's such a nobody. Double review makes Doyble rhythmically, years farce and tragedy out of the most devices. Ayoade isn't a fantastic director - there's a year and a long at up here. Ayoade's killer need takes evil pleasure in every Simon swallow his offers and stutter through lasting.

Close Stuttering through life Jesse Eisenberg in Richard Ayoade's The Double Dank and Double review, spurred deview impotent rage and deflated ambition, The Double arrives as the black sheep of this year's Toronto film festival. It's a moody, gloomy comedy. Double review taut study of self-identity that comes up with no easy answers. It's totally out revlew Double review with the festival's sunny tastes.

It might just be the best thing we'll see rview week. Submarine director Richard Ayoade's rebiew film Porno tinyteen gifs Fyodor Dostoyevsky's novella out in a nowhere land of office bureaucracy. Jesse Eisenberg plays Simon James, a skivvying worker bee who's belittled by his colleagues and shunned by Hannah Mia Wasikowska the elfin girl who works the office's giant, clanking photocopier.

No-one reacts to the duplication, because Simon's such a nobody. You don't know it's a copy if you haven't revieq the original. Ayoade shares those directors' intricacy. He uses sound rhythmically, builds farce and tragedy out of the simplest devices. A beautiful moment of character exposition pops up as Simon heads to the office. A workman methodically stacks boxes onto the tube as Simon tries to leave.

The action swings into time with the soundtrack. Simon steps around the man, but each time the worker is back in the way. It's a clever, funny and moving little scene. An immediate indication of how hopeless Simon is. Everything, inside and out of the fiction, is against him. A blender roars to life as he tries to listen in on a conversation. A draft whips up and drowns him out when he thinks of something clever to say.

Ayoade's killer script takes evil pleasure in having Simon swallow his words and stutter through life. Eisenberg's last film, the bumpy magician heist movie Now You See Me, saw the nervy actor play an arrogant card shark. He's said that that role freed him, allowed him to unleashing a side of himself that made him feel more confident. At times the actor's nervousness can slip into arrogance. The Double plays on this.

James is gregarious and cool - everything that Simon and Eisenberg aspire to be. It's a superb piece of meta-casting. Ayoade isn't a spontaneous director - there's a plot and a plan at work here. Everything, from the repetition in the soundtrack to Ayoade's recruitment of many of the actors he used in Submarine as The Double's bored salarymen - slips into the spirit of the fiction.

Because of this some may find The Double a little arch, a touch too fastidious, but there's a real creative energy at force. This kind of exactitude is what makes for great comedy, even one that at times lacks heart. The Double isn't an original idea. It wasn't even in Dostoyevsky's time. But it's a great story. And Ayoade has produced a brilliant copy.